T\u00fcrk Sanat M\u00fczi\u011fi bestecisi, T\u00fcrk klarnet virt\u00fcoz\u00fc (D. 1907, Edremit \/ Bal\u0131kesir \u2013 \u00d6. 1962, \u0130stanbul). \u015eark\u0131 formunda besteleri vard\u0131r. Devrin \u00fcnl\u00fc \u015fark\u0131c\u0131lar\u0131na e\u015flik etmi\u015ftir.<\/p>\n\n\n\n
Hasan adl\u0131 bir i\u015f\u00e7inin o\u011fludur. Ailesi i\u00e7inde musikiyle u\u011fra\u015fan hi\u00e7 kimse olmad\u0131\u011f\u0131 halde musiki yetene\u011fi pek k\u00fc\u00e7\u00fck ya\u015flar\u0131ndayken ortaya \u00e7\u0131kt\u0131. \u0130lkokul \u00e7a\u011f\u0131ndaki \u015e\u00fckr\u00fc, eline ge\u00e7en bir teneke d\u00fcd\u00fck ile \u015fark\u0131lar, t\u00fcrk\u00fcler \u00e7almaya ba\u015flad\u0131, 1. D\u00fcnya Sava\u015f\u0131 y\u0131llar\u0131nda Edremit’e gelen bir bando tak\u0131m\u0131nda klarnet \u00e7alan bir asker g\u00f6rd\u00fckten sonra klarnete heves etti. On \u00fc\u00e7 ya\u015f\u0131ndayken elde etti\u011fi klarnetle musikiye ba\u015flad\u0131. Ancak, o y\u0131llarda babas\u0131 ile \u00fc\u00e7 amcas\u0131 da askere al\u0131nm\u0131\u015ft\u0131. Gen\u00e7 \u015e\u00fckr\u00fc ailesinin b\u00fct\u00fcn ge\u00e7im y\u00fck\u00fcn\u00fc \u00fcstlenmek zorunda kal\u0131nca musiki d\u0131\u015f\u0131nda pek \u00e7ok i\u015fe girip \u00e7\u0131kt\u0131.<\/p>\n\n\n\n
1921’de ailesiyle birlikte Edremit’ten \u0130zmir’e g\u00f6\u00e7 etti. \u0130zmir Musiki Cemiyeti’ne girdi; ilk ciddi musiki bilgilerini bu cemiyette \u00f6\u011frendi. \u0130ki y\u0131l sonra \u0130stanbul’a geldi; \u00dcsk\u00fcdar Musiki Cemiyeti’ne girdi, iki y\u0131l bu cemiyetin \u00e7al\u0131\u015fmalar\u0131na kat\u0131ld\u0131. \u0130stanbul’da besteci Muallim Kaz\u0131m Bey’le (Uz) tan\u0131\u015ft\u0131; kendisinden makam, usul, nazariyat dersleri alarak genel musiki bilgisini ilerletti. Ama hi\u00e7 kimseden klarnet dersi almadan saz\u0131nda kendi kendini yeti\u015ftirdi. Nota bilgisini de kendi \u00e7abalar\u0131yla geli\u015ftirdi. Kaz\u0131m Uz’un arac\u0131l\u0131\u011f\u0131yla mehter tak\u0131m\u0131na girdi. Uzun y\u0131llar \u0130stanbul ve Ankara radyolar\u0131nda, saz salonlar\u0131nda, gazinolarda klarnet \u00e7ald\u0131, plaklar doldurdu. 15 Temmuz 1962’de Cumhuriyet Gazinosu’nda Zeki M\u00fcren’e e\u015flik ederken ge\u00e7irdi\u011fi bir kalp krizi sonucu sahnede \u00f6ld\u00fc.<\/p>\n\n\n\n
\u015e\u00fckr\u00fc Tunar, T\u00fcrk musikisinde klarnet denilince akla ilk gelen musikicidir. \u00c7ok sa\u011flam, g\u00fc\u00e7l\u00fc bir tekni\u011fi vard\u0131r. Tekni\u011fi de, \u00fcslubu da tamam\u0131yla kendine \u00f6zg\u00fcd\u00fcr. Klarnetten son derece parlak, bir anda kula\u011f\u0131 ok\u015fayan, \u00e7ok g\u00fczel sesler \u00e7\u0131kar\u0131rd\u0131.<\/p>\n\n\n\n
Perde bask\u0131lar\u0131 kusursuzdu. Saz\u0131n\u0131n da gerektirdi\u011fi gibi, Tunar ritm duygusu \u00e7ok y\u00fcksek bir sanat\u00e7\u0131yd\u0131. \u00dcst\u00fcn tekni\u011fi ve musiki seviyesiyle daima aranan bir icrac\u0131yd\u0131. Musiki zevkiyle fas\u0131llardaki, taksimlerindeki, oyun havalar\u0131ndaki ve soliste e\u015flik ederkenki \u00fcslubu, tavr\u0131, s\u00fcslemeleri birbirinden farkl\u0131yd\u0131. \u00d6zellikle zeybek, \u00e7iftetelli, sirto, longa, kar\u015f\u0131lama gibi oyun havalar\u0131ndaki \u00fcstadl\u0131\u011f\u0131 eri\u015filmez seviyedeydi. Taksimleri de \u00e7ok g\u00fczeldir. T\u00fcrk musikisinde saksofonu da \u00e7ok g\u00fczel \u00e7alard\u0131. Hi\u00e7 \u015f\u00fcphesiz, \u015e\u00fckr\u00fc Tunar benzersiz klarnetiyle musikide silinmez bir iz b\u0131rakm\u0131\u015f, unutulmaz bir klarnet \u00fcstad\u0131d\u0131r.<\/p>\n\n\n\n
Tunar bestek\u00e2rl\u0131kla da u\u011fra\u015fm\u0131\u015ft\u0131r. Baz\u0131 \u015fark\u0131lar\u0131 piyasada s\u0131k s\u0131k okunmu\u015ftur. K\u00fcrdilihicazkar “G\u00f6z\u00fc ceylan g\u00f6z\u00fcd\u00fcr, bak\u0131\u015f\u0131 mestanedir”., h\u00fczzam “Ay \u00f6perken sular\u0131n g\u00f6\u011fs\u00fcn\u00fc, sahilde y\u0131kan”, h\u00fcseyni “Ge\u00e7ti sevdalarla \u00f6mr\u00fcm ihtiyar oldum bug\u00fcn” g\u00fcfteli \u015fark\u0131lar\u0131 g\u00fczel eserlerdir. Bir pe\u015frev ile iki saz semaisi ve birka\u00e7 g\u00fczel oyun havas\u0131 da bestelemi\u015ftir. Ancak, onu musikide unutulmaz k\u0131lan yan\u0131 icrac\u0131l\u0131\u011f\u0131d\u0131r.<\/p>\n\n\n\n
Zeki M\u00fcren bestelerinin bir b\u00f6l\u00fcm\u00fcn\u00fcn asl\u0131nda \u015e\u00fckr\u00fc Tunar\u2019a ait oldu\u011fu iddia edilmi\u015f, gerek\u00e7e olarak, Tunar\u2019\u0131n \u00f6l\u00fcm\u00fcnden sonra M\u00fcren\u2019in besteleri olmad\u0131\u011f\u0131 s\u00f6ylenmi\u015ftir.<\/p>\n\n\n\n
\u015e\u00fckr\u00fc Tunar, 1962 y\u0131l\u0131nda \u0130stanbul\u2019da bir gazino sahnesinde Zeki M\u00fcren’in program\u0131 esnas\u0131nda kalp krizi sonucu vefat etmi\u015ftir. Vefat\u0131ndan sonra Edremit So\u011fanyemez Mahallesinde \u015e\u00fckr\u00fc Tunar K\u00fclt\u00fcr Merkezi hizmete a\u00e7\u0131larak ad\u0131 ya\u015fat\u0131lmak istenilmi\u015ftir.<\/p>\n\n\n\n
Baz\u0131 Alb\u00fcmleri:<\/strong><\/p>\n\n\n\n \u015e\u00fckr\u00fc Tunar – Ar\u015fiv Serisi Baz\u0131 \u015eark\u0131lar\u0131:<\/strong><\/p>\n\n\n\n Unut Beni Kalbimdeki Kaynak \/ biyografya.com<\/em><\/strong><\/p>\n\n\n\n \u015e\u00fckr\u00fc Tunar bestelerini dinlemek i\u00e7in t\u0131klay\u0131n\u0131z.<\/a><\/p>\n\n\n\n
Hicaz Raks – \u015e\u00fckr\u00fc Tunar – Shazam<\/p>\n\n\n\n
Ada\u2019n\u0131n Ye\u015fil \u00c7amlar\u0131
Ge\u00e7ti Sevdalarla \u00d6mr\u00fcm<\/p>\n\n\n\n
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\n\n\n\n\u015e\u00fckr\u00fc Tunar k\u0131sa belgesel<\/h2>\n\n\n\n